Well--been on quite a hiatus, haven't I?
Despite the optimism expressed in my last post, 2010 was not my friend. A plumbing leak from my upstairs neighbor caused a worse disaster than Hurricane, which only goes to show that man-made troubles are worse than Nature's. I won't go into depressing detail, but it took most of the year to get things back together (on my neighbor's insurance, fortunately).
By 2011 I had realized that this place just does not want me living here. I certainly didn't seem to want to live there--after my boxes were returned from the temporary storage facility to which they had to be moved during repairs, I saw around for another 6 months without opening them. I think I had a superstition that once I moved in again, another disaster would strike. Anyway, even though the real estate market hadn't bounced all the way back, I decided condo ownership was not for me, and I sold the Condo-From-Hell in the late fall.
I spent a peaceful year recuperating in a small and charming 1950s complex, which I loved, until the elderly landlord retired and sold it to a developer, who kicked us all out, tore it down, and is currently in the process of building a row of ugly stucco townhomes. So I moved again in 2013--to an apartment hastily chosen and further from my job. I like it better than I thought I would, though the evening commute is an aggravation. Still can't decide whether or not I would rather tolerate this arrangement for another year or go through the hassle and expense of moving yet again later this spring.
But I have no regrets--ever since I dis-encumbered myself from that condo, I have been able to sleep soundly again, without waking in the middle of the night thinking I hear water dripping, and without getting constantly distracted by mundane problems, I have finally begun to work on some new projects again--writing, music, and of course, theatre.
So--sometimes you have to be willing to put yourself through a lot of uncomfortable and laborious work in order to get out of a situation that is sapping your power and your creativity. "Need is heavy on the heart, yet it often proves a help and salvation to the children of men, if they heed it in time." Don't put up with situations that drain your life of energy and joy--it's like pulling band-aid, it hurts at first, but it only lasts a minute.
Tuesday, February 4, 2014
Wednesday, January 20, 2010
It's been a tough year
It's been a long time since I posted. Kind of got distracted by little things, like Hurricane Ike. I tend to be cynical, but was still caught off-guard by how poorly support systems (insurance companies, homeowners associations, the government) perform in such disasters (and I had relatively minor damages compared to some people down on the coast). Safety is an illusion.
Took about eight months to return to "normal" (or at least not abnormal). Finally got to do a lead in a Gilbert & Sullivan operetta (Ruth in Pirates of Penzance) and a minor role in Rice University's The Threepenny Opera (the show that made me want to get into theatre in the first place).
Now I'm trying very hard to get back to a normal work schedule for the new year (and not inclined to very much--they say that Norwegians used to celebrate Yule until Easter...I'm half Norwegian, can't I celebrate until, say, February?)
Took about eight months to return to "normal" (or at least not abnormal). Finally got to do a lead in a Gilbert & Sullivan operetta (Ruth in Pirates of Penzance) and a minor role in Rice University's The Threepenny Opera (the show that made me want to get into theatre in the first place).
Now I'm trying very hard to get back to a normal work schedule for the new year (and not inclined to very much--they say that Norwegians used to celebrate Yule until Easter...I'm half Norwegian, can't I celebrate until, say, February?)
Labels:
Gilbert and Sullivan,
hurricane,
Ike,
insurance,
Norway,
Pirates of Penzance,
theatre,
Threepenny Opera,
Yule
Wednesday, April 30, 2008
Walpurgisnacht !
"The wind is hushed, the starlight pales,
The dismal moon her features veils;
As magic-mad the hosts whiz by,
A myriad sparks spurt forth and fly."
(from Goethe's Faust)

Ah, Walpurgisnacht! (Hexennacht in Germany, Valborgsmässoaften in Sweden). That supernatural, vernal equivalent to Halloween, when spirits fly abroad and the witches (so they say) go to dance on Mt. Brocken (immortalized in film in Disney's Fantasia).
Jacob Grimm (yeah, the same guy who wrote the fairy tales with his brother), in his book Teutonic Mythology, described it thus:
"Down into the tenth and into the 14th centuries, night-women in the service of Dame Holda rove through the air on appointed nights, mounted on beasts; her they obey, to her they sacrifice, and all the while not a word about any league with the Devil. Nay, these night-women, shining mothers, dominae nocturnae, bonnes dames ... were originally daemonic elvish beings, who appeared in woman's shape and did men kindnesses. Holda, Abundia, to whom still a third part of the whole world is subject, leads the ring of dancers ... "
Well, even if you don't believe in witches, it's still a good excuse for a party! (Just be careful who you dance with!)
The dismal moon her features veils;
As magic-mad the hosts whiz by,
A myriad sparks spurt forth and fly."
(from Goethe's Faust)

Ah, Walpurgisnacht! (Hexennacht in Germany, Valborgsmässoaften in Sweden). That supernatural, vernal equivalent to Halloween, when spirits fly abroad and the witches (so they say) go to dance on Mt. Brocken (immortalized in film in Disney's Fantasia).
Jacob Grimm (yeah, the same guy who wrote the fairy tales with his brother), in his book Teutonic Mythology, described it thus:
"Down into the tenth and into the 14th centuries, night-women in the service of Dame Holda rove through the air on appointed nights, mounted on beasts; her they obey, to her they sacrifice, and all the while not a word about any league with the Devil. Nay, these night-women, shining mothers, dominae nocturnae, bonnes dames ... were originally daemonic elvish beings, who appeared in woman's shape and did men kindnesses. Holda, Abundia, to whom still a third part of the whole world is subject, leads the ring of dancers ... "
Well, even if you don't believe in witches, it's still a good excuse for a party! (Just be careful who you dance with!)
Labels:
Faust,
Goethe,
Grimm,
Hexennacht,
May Day,
Mt. Brocken,
Walpurgisnacht,
witches
Tuesday, April 22, 2008
Earth Day always reminds me of an Earth Day gathering I attended in Boston back in the early 1980s (or was it the late 70s? things back then were a bit fuzzy sometimes...)
There was a big gathering/concert/festival at a public park area--I think it was somewhere at the Boston Commons--with a number of performances by local groups and a number of fairly well-known bands. They were starting off with an ecumenical religious ceremony including representatives from all sorts of religious groups, from Christian to Jewish to Buddhist to Pagan and everytning in between. A good friend was coordinating the religious opening event and was bemoaning the fact that it was hard coordinating all these different groups and get them to listen to directions and get them on and off the stage at the same time. She observed that the bands all had stage managers to handle this sort of thing for their performances, which made all go smoothly.
I was still involved in theatre at the time, and volunteered to act as her "stage manager," which I did. Our part of the festivities was the first thing on the program, and indeed, we did get all the groups on and off the stage and coordinate their participation and keep everyone playing nice. Backstage I saw some fairly big-time musicians, their stage managers, roadies, journalists, and other persons, all milling about the best table of snacks & beverages I've seen this side of anywhere. I was a "roadie", too, so I was "cool."
That's what I always think of when Earth Day rolls around.
P.S. Oh, yeah, and stage managers rock!
There was a big gathering/concert/festival at a public park area--I think it was somewhere at the Boston Commons--with a number of performances by local groups and a number of fairly well-known bands. They were starting off with an ecumenical religious ceremony including representatives from all sorts of religious groups, from Christian to Jewish to Buddhist to Pagan and everytning in between. A good friend was coordinating the religious opening event and was bemoaning the fact that it was hard coordinating all these different groups and get them to listen to directions and get them on and off the stage at the same time. She observed that the bands all had stage managers to handle this sort of thing for their performances, which made all go smoothly.
I was still involved in theatre at the time, and volunteered to act as her "stage manager," which I did. Our part of the festivities was the first thing on the program, and indeed, we did get all the groups on and off the stage and coordinate their participation and keep everyone playing nice. Backstage I saw some fairly big-time musicians, their stage managers, roadies, journalists, and other persons, all milling about the best table of snacks & beverages I've seen this side of anywhere. I was a "roadie", too, so I was "cool."
That's what I always think of when Earth Day rolls around.
P.S. Oh, yeah, and stage managers rock!
Labels:
Boston,
Earth Day,
musicians,
stage managers,
theatre
Thursday, January 31, 2008
Up-Helly-Aa
This is two days late, but I have to take note of the annual celebration of Up-Helly-Aa on Tuesday.
Up-Helly-Aa, a relatively modern festival, is celebrated in Shetland on the last Tuesday in January. The festivities include a torch-lit procession of as many as a thousand men in costume (called "guizers") through the town of Lerwick. The formal celebration culminates with the ceremonial burning of a full-size replica Viking longship. Afterwards both participants and onlookers head for the local pubs and halls for a night of feasting and merriment.
There is evidence that rural folk in Shetland celebrated the 24th day after Christmas as "Antonsmas" or "Up Helly Night"; however, the practice of Yuletide and New Year celebrations in town seems to have started after the post-Napoleonic Wars (maybe influenced by the newly-acquired rowdy habits of the soldiers and sailors who came home). As the town of Lerwick grew, the celebrations grew larger and grander. By the mid-1800s, participants had added burning tar barrels to their festivities. Since the streets of Lerwick were very narrow back then, rival gangs of tar-barrelers often got into fights in the middle, to the annoyance of the more staid citizens.
Around 1870, more intellectual participants gave the holiday its name, Up-Helly-Aa, and gradually moved it to the end of January. They also added the idea of elaborate disguises, called "guizing" and started the torchlit procession. At the same time, they experimented with using Viking themes in the festival, and by the 1880s a Viking longship, called the "galley", had appeared. By 1906, the idea of a chief guizer, called "Guizer Jarl, "had been introduced, and after World War I there was a squad of Vikings in the procession.
Up-Helly-Aa was originally a festival for young working-class men, and during the Depression it was nearly cancelled for lack of funds. After World War II, when the festival resumed in 1949, many changes had been made. Media coverage by the BBC made it better known, and it gradually became larger, more efficient, and better funded. But it still retains its early roots as one of the biggest fire festivals left in Europe.
Up-Helly-Aa, a relatively modern festival, is celebrated in Shetland on the last Tuesday in January. The festivities include a torch-lit procession of as many as a thousand men in costume (called "guizers") through the town of Lerwick. The formal celebration culminates with the ceremonial burning of a full-size replica Viking longship. Afterwards both participants and onlookers head for the local pubs and halls for a night of feasting and merriment.
There is evidence that rural folk in Shetland celebrated the 24th day after Christmas as "Antonsmas" or "Up Helly Night"; however, the practice of Yuletide and New Year celebrations in town seems to have started after the post-Napoleonic Wars (maybe influenced by the newly-acquired rowdy habits of the soldiers and sailors who came home). As the town of Lerwick grew, the celebrations grew larger and grander. By the mid-1800s, participants had added burning tar barrels to their festivities. Since the streets of Lerwick were very narrow back then, rival gangs of tar-barrelers often got into fights in the middle, to the annoyance of the more staid citizens.
Around 1870, more intellectual participants gave the holiday its name, Up-Helly-Aa, and gradually moved it to the end of January. They also added the idea of elaborate disguises, called "guizing" and started the torchlit procession. At the same time, they experimented with using Viking themes in the festival, and by the 1880s a Viking longship, called the "galley", had appeared. By 1906, the idea of a chief guizer, called "Guizer Jarl, "had been introduced, and after World War I there was a squad of Vikings in the procession.
Up-Helly-Aa was originally a festival for young working-class men, and during the Depression it was nearly cancelled for lack of funds. After World War II, when the festival resumed in 1949, many changes had been made. Media coverage by the BBC made it better known, and it gradually became larger, more efficient, and better funded. But it still retains its early roots as one of the biggest fire festivals left in Europe.
Labels:
Fire festival,
January,
Lerwick,
longship,
Shetland,
Up-Helly-Aa,
Vikings
Friday, January 25, 2008
Thorrablot
Þorri is one of the old Icelandic months, which always begins on a Friday, between the 19th and the 25th of January, and ends on a Saturday between the 18th and 24th of February. The first day of Þorri is called Bóndadagur ("Husband's Day/Farmer's Day"), and is dedicated to men (formerly only farmers). On that day, the women bring the men breakfast in bed on this day, and sometimes give their husbands flowers as well.
The tradition of a feast during Þorri has its roots the old midwinter feast, Þorrablót. This month falls during the coldest part of winter, and thus Þorri is seen as an tall old man, the personification of Winter. It has also been suggested that this month is named after a legendary Norwegian king; the name is also sometimes (incorrectly) said to be derived from the name of the Norse god Thor. The feast today has become a traditional part of the Icelandic calendar, a time when Icelanders celebrate their national heritage and eat traditional foods. Since the feast takes place in winter, most of those foods are preserved by pickling, salting, smoking, drying, or putrefying (yes, that's right, rotting!)
The Þorrablót can take place at any time during Þorri, preferably on a weekend to allow for sufficient feasting and carousing. The chief elements are lots of food and fun, and sometimes entertainment, dancing, and lots of booze. Typical foods for a Þorri feast begins with traditional appetizers of shark meat which has been prepared by being buried for several weeks or dried fish which has been beaten to soften it (yum!), both of which are best washed down by a shot of cold Brennivín (caraway schnapps), locally known as Svartidauði ("Black Death"). It has been said that a shot or two of this liquor will make anything taste okay. For those modern folk too weak for tradition, there might also be pickled herring or smoked salmon. The main courses are usually made from lamb or mutton and are divided into two main categories: sour (i.e., pickled in whey) and not-sour.
I've heard there is a group called the League Against Spoiled Food, which works to end the eating of whey-pickled food. They're lucky they weren't born in Iceland a few centuries ago, when that sort of thing would have been all they would have had to eat in winter-time.
As for me, a shot of aquavit and some pickled herring seems a good way to celebrate the start of Þorri (though down here in Texas, the winter is the good weather).
The tradition of a feast during Þorri has its roots the old midwinter feast, Þorrablót. This month falls during the coldest part of winter, and thus Þorri is seen as an tall old man, the personification of Winter. It has also been suggested that this month is named after a legendary Norwegian king; the name is also sometimes (incorrectly) said to be derived from the name of the Norse god Thor. The feast today has become a traditional part of the Icelandic calendar, a time when Icelanders celebrate their national heritage and eat traditional foods. Since the feast takes place in winter, most of those foods are preserved by pickling, salting, smoking, drying, or putrefying (yes, that's right, rotting!)
The Þorrablót can take place at any time during Þorri, preferably on a weekend to allow for sufficient feasting and carousing. The chief elements are lots of food and fun, and sometimes entertainment, dancing, and lots of booze. Typical foods for a Þorri feast begins with traditional appetizers of shark meat which has been prepared by being buried for several weeks or dried fish which has been beaten to soften it (yum!), both of which are best washed down by a shot of cold Brennivín (caraway schnapps), locally known as Svartidauði ("Black Death"). It has been said that a shot or two of this liquor will make anything taste okay. For those modern folk too weak for tradition, there might also be pickled herring or smoked salmon. The main courses are usually made from lamb or mutton and are divided into two main categories: sour (i.e., pickled in whey) and not-sour.
I've heard there is a group called the League Against Spoiled Food, which works to end the eating of whey-pickled food. They're lucky they weren't born in Iceland a few centuries ago, when that sort of thing would have been all they would have had to eat in winter-time.
As for me, a shot of aquavit and some pickled herring seems a good way to celebrate the start of Þorri (though down here in Texas, the winter is the good weather).
Labels:
Iceland,
midwinter,
traditional food,
Þorrablót,
Þorri
First message
"Hush-a-by lady, in Alice's lap!
Till the feast's ready, we've time for a nap:
When the feast's over, we'll go to the ball --
Red Queen, and White Queen, and Alice, and all!"
Hello, I've started this blog as part of a class exercise.
I'm a librarian at a research university in Texas with a background in theatre. Right now I'm involved in a campus production of Shakespeare's Richard III, playing the half-crazed, embittered, and vindictive Queen Margaret. During a rehearsal break, I created this lolcat to symbolize my take on this character:
Mad Margaret
Till the feast's ready, we've time for a nap:
When the feast's over, we'll go to the ball --
Red Queen, and White Queen, and Alice, and all!"
Hello, I've started this blog as part of a class exercise.
I'm a librarian at a research university in Texas with a background in theatre. Right now I'm involved in a campus production of Shakespeare's Richard III, playing the half-crazed, embittered, and vindictive Queen Margaret. During a rehearsal break, I created this lolcat to symbolize my take on this character:
Mad Margaret
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